Category Archives: Columns

FIN! – Australian financial review

Fin!

AFR | May 2011

By Marion Hume 

We used to fret that the internet would render fashion shows obsolete. While the opposite is the case, it’s us, the professional audience, whose days must be numbered.

There’s no such thing as “fashionably late” in a world of live streaming.

Time was when, if the invitation said 4pm, you could dawdle over to a cafe near the venue, enjoy a cup of tea, or, if you were feeling full-on fashionista, a glass of champagne, yet still fret that, by turning up before 5pm, you’d be revealing yourself as a rookie who was frightfully keen.

Today, 4pm means in your seat at 3.45 pm or the designer’s PR will be SMSing frantically. It means sitting up straight and slapping on your catwalk smile by 3.50pm, then it’s lights down, music up and a huge screen running a countdown as viewers in Dubai, Hong Kong, Los Angeles are welcomed to start “shopping the show”. You can buy the coats at Burberry, to arrive months later, in 150 countries, as they are appearing on a catwalk in London. What you can’t do is bribe your way in once a show has started – as I discovered at 4.01pm. Opps.

Lesson learned. Over in Paris, I got to Louis Vuitton so horribly early, I had to sneak off for a coffee so as not to linger with the kids who snap the arrival of the front row set for their blogs. The Vuitton show was staged at the Cour Carree du Louvre, as it has been for several seasons now, but just to make things interesting, they changed the point of entry. Cue scores of people, myself included, who glancing over and, seeing no line yet, relaxed and ordered another “cafe creme”.

People may think we fashion folk are so dumb, we can’t walk and chew gum, but let me tell you, once I realised entry was via the gate around the corner, I was sprinting, texting to friends in five inch heels to “move it from the café, now!” and thinking how HUGE the Louvre is, all at the same time. True, I couldn’t remember exactly which Louis had extended the old chateau of Francois Ist until it became a palace that seems to take up half of France but I did keep wishing he’d put in more cut-throughs. Luckily, I was in my seat when the show started, but as it featured women in handcuffs, I got hot under my feminist collar all over again.

Those of us who watch fashion shows for a living are increasingly questioning what they are for, (although kinky handcuffs, are, you have to admit, a whole new product category to brand). The truth is dawning, chillingly, that shows are no longer for those on the seasonal schlepp from New York to London to Milan to Paris. We used to fret that the internet would render fashion shows obsolete. While the opposite is the case, it’s us, the professional audience, whose days must be numbered. “Shopping the show” online still requires skinny girls (one of whom, this season, is a boy) walking up and down in the clothes to click and buy. The vast lobby of net-a-porter, the pioneer of luxury online, is dominated by a gigantic screen showing designer shows. The Burberry website, the Burberry stores, feature more catwalk footage. The equation of “1,000 seater show staged like a rock concert + clothes to click on now” is key to how this British brand has become a GBP 5.1 billion fashion megalith.

But what of the 1,000 people who are invited to attend? What purpose do we serve, now that anyone can go to London’s Piccadilly Circus and watch the Burberry show, simultaneously, on a 32-metre digital screen? (As I did)  What is the point of fashion critics now the public, on twitter, on apps, shopping as they go, votes on what’s fashionable now? As for those of us who go to actual shows (if we are not locked out, at 4.01pm), how long before they just paint us in by CGI?

Minding your P’s and P’s – Australian financial review


It seems Australians were among the rare few who were not ‘frightened’ or ‘shocked’ by the radical ideas of Yohji of Yamamoto and Rei Kawakubo of Comme des Garçons.

Belinda Seper is one of the most respected fashion retailers in Australia. Before her retail career, she was a model, which overlapped with being a soldier. While an unusual career arc, it’s is no more unusual than a fashion editor I know who doubles as a trapeze artist or the chef in my local café who is also an acrobat. Small and lean, he moves with the feline grace of someone you imagine, yes, could manage back flips while up on a high wire although, personally, I have never seen him doing anything more complicated than flip a steak while frying an egg. As for Seper, early multitasking involved stripping back a weapon while applying nail lacquer. (Ok, I’ve exaggerated. She used to do one, then the other. But that doesn’t take away from the fact she was the fastest shot in her battalion. And had the best manicure.)
One of my most valuable life lessons came from Seper, who once shared her motto, ‘Never forget the six Ps’. These spell out ‘Prior Planning Prevents a Piss Poor Performance’. I have to say, had I learned that motto from a puritan American and it had been the five Ps, it would not have stuck. Right now, I am grappling with the eight Ps, which might be familiar to you; ‘Prior Planning Prevents a Piss Poor Powerpoint Performance’. What a lot of prep to find 87 images to back up a 45 minute speech! Especially as I never actually said yes to this. (Didn’t it start as a panel discussion and just chatting for a few minutes?).
The subject is the arrival in Europe of the Japanese designers, which I am a little too young to remember personally. However, having read all the contemporary reports from the early eighties, it seems the Australians were among the rare few who were not ‘frightened’ or ‘shocked’ by the radical ideas of Yohji Yamamoto and Rei Kawakubo of Comme des Garçons. I can find no Australian reports urging readers to run for the hills, or indeed the bunkers. The French talked of the invasion of the ‘yellow peril’ and judged the debuts of two designers who have turned out to be among the greatest of the last quarter century as “Hiroshima, sans amour”.
There will be Q&A afterwards, so I am trying to be super­prepared, although that will probably translate as staying up all night and then not having time to have my roots done. As a rule, which alas I always seem to break, fashion people are groomed, immaculate. But, until recently, the best you’d expect of many of them as public speakers was that they’d hide behind the lectern, mumble a bit, then slink off stage. But media training has changed the game irrevocably – to the benefit of all.
I was at the International Herald Tribune’s Luxury conference in London recently (it’s in Sao Paolo next year – exciting!), and not only were all the thousand or so delegates chic, but the immaculate speakers – designers and CEOs – gave precisely calibrated performances, never straying off brand message. They were all way too prepared to risk falling off the tightrope.
Bar one. Paul Smith, the British menswear designer, spoke off the cuff (he had a few slides, but they got muddled). He said that his failsafe for public speaking is to bring a rubber chicken, which he then pulled out and brought the house down. So I’m thinking, what if the laptop fizzles or the audience react like the French in 1981 and, at the sight of a tattered dress, duck for cover? Although I realized I was taking the eight Ps too far when I caught myself eyeing up a friend’s new kitten and wondering where they kept the travel basket so that, if the speech goes belly­up, I can let the cat of out of the bag.
International fashion editor Marion Hume is based in London.